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“…an extraordinary hymn to the beauty and preciousness of the natural world.”

How To Spend It

“…many of Almond’s cragged landscapes seem otherworldly enough to be shot on the moon… darkly beautiful, full of grace and mystery and danger.“

American Photo Magazine

Darren Almond. Fullmoon, Art Edition No. 1–60 ‘Moonbow@Fullmoon’

Edition of 60
C-print, 18.5 x 18.5 in. and clothbound hardcover volume in a clamshell box, 18.9 x 18.9 in., 400 pages
US$ 4,500
This edition is sold out. However, occasionally, copies do become available again. Please register on our waiting list so we can inform you if this edition, or anything similar comes up.
The nocturnal landscapes of Darren Almond circle around Romantic ideas of time, beauty, and nature. Captured by the light of the full moon, they show rivers, meadows, mountains, and shores illuminated as if at daybreak, but with an ethereal hush of the surreal or sublime. This Art Edition comes with the signed print Moonbow@Fullmoon (2011), photographed from the Brazilian side of the Iguazu Falls.

Art Edition (No. 1–60) with the original print Moonbow@Fullmoon (2011), each signed by Darren Almond
Teaser

Lunar Lens

Darren Almond’s nocturnal nature series
In Fullmoon, the conceptual meets the poetic: in more than 260 photographs, British artist Darren Almond catches landscapes around the globe, under the particular light of a full moon. With the shutter kept open for over a quarter of an hour, rivers, meadows, mountains, and seashores are illuminated almost like daybreak, but the atmosphere is different: a mild glow emanates even from the shadows, stars leave their trails across the sky, and water blankets the earth like a misty froth.

The enhanced moonlight infuses the landscapes with a sense of the surreal or the sublime, and with haunting ideas of time, nature, and beauty. The series circles around the possibility of Romantic themes today: majestic American mountains, austere Arctic ice fields, picturesque rocks by the seashore in Japan, and, most intimately viewed, the nature of Britain, whose painterly subjects are closest to home.

This book covers all parts of Almond’s fullmoon series from the turn of the century up until today. It features an introduction by Sheena Wagstaff, head of the Modern and Contemporary Art Department of the Metropolitan Museum in New York, and an in-depth essay by writer and critic Brian Dillon.

Art Edition of 60 numbered copies (No. 1–60), each signed by Darren Almond, with the signed original print Moonbow@Fullmoon (2011), photographed from the Brazilian side of the Iguazu Falls.

Also available in two additional Art Editions with alternative signed prints.
The photographer

Darren Almond was born in 1971 in Wigan, England. He is a conceptual artist whose work in photography, film and sculpture revolves around themes of personal memory, cultural history and time. His major solo exhibitions include shows at the ICA and the Tate Britain in London, Kunsthalle Zürich, K21 Düsseldorf, Museum Folkwang Essen, SITE Santa Fe, and Art Tower Mito in Japan.

Darren Almond. Fullmoon, Art Edition No. 1–60 ‘Moonbow@Fullmoon’
Edition of 60
C-print, 18.5 x 18.5 in. and clothbound hardcover volume in a clamshell box, 18.9 x 18.9 in., 400 pages
Darren Almond. Fullmoon, Art Edition No. 1–60 ‘Fullmoon@Porto Mosquito’ (Limited Edition)

Darren Almond.
Fullmoon, Art Edition No. 1–60 ‘Fullmoon@Porto Mosquito’

US$ 4,500
Darren Almond. Fullmoon, Art Edition No. 1–60 ‘Fullmoon@Horseshoe Bend’ (Limited Edition)

Darren Almond.
Fullmoon, Art Edition No. 1–60 ‘Fullmoon@Horseshoe Bend’

US$ 4,500
Stephen Wilkes. Day to Night. Art Edition No. 1–100 ‘Brooklyn Bridge, New York City, 2016’ (Limited Edition)

Stephen Wilkes.
Day to Night.
Art Edition No. 1–100 ‘Brooklyn Bridge, New York City, 2016’

US$ 5,000
Stephen Wilkes. Day to Night. Art Edition No. 101–200 ‘Grand Canyon, Arizona, 2015’ (Limited Edition)

Stephen Wilkes.
Day to Night.
Art Edition No. 101–200 ‘Grand Canyon, Arizona, 2015’

US$ 5,000