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Arcimboldo

200
Availability: January 11, 2027

Savor a curious world where fruit and flowers become faces. Arcimboldo’s pictures were meant to amuse and also contained a deeper philosophical or political message. This comprehensive collection peels back their layers with wit and insight and illuminates the past. It’s a cornucopia for art lovers.

Hardcover, 11.4 x 15.6 in., 9.28 lb, 352 pages
Coming Soon
XXL
XXL books are a minimum 39 cm (15.4 in.)
Arcimboldo

Arcimboldo

200

Nature as Metaphor

Studies of nature transformed into imaginative, allegorical faces

Giuseppe Arcimboldo was best known for his strange composite portraits, yet his imagination ranged so much further than that. The young Giuseppe was active in his native Lombardy designing stained-glass, tapestries, and frescoes, later becoming a trusted and versatile talent at the Habsburg courts of Vienna and Prague.

He was always far more than a ‘mere’ court painter. Here was a true creative polymath, his work blending the political and the humorous with the practical and the naturalistic. Much copied in his own lifetime, he also devised festivals and tournaments, designed merchants’ stalls, and helped assemble imperial collections of rare objects and exotic creatures. 

His hundreds of drawings span portraiture, botanical and zoological studies, even scenes of silkworm farming, revealing an ardent curiosity about art as well as the natural world. An original, yet so much of his time, his alchemical fusion of humor, symbolism, and scientific rigor reflected a thoroughly Renaissance taste for puzzles, illusion, and inquiry. 

Published to mark the 500th anniversary of his birth, this volume offers the first complete catalogue raisonné of Arcimboldo's work. The result of decades of research, it includes paintings, frescoes, stained-glass windows, tapestries, and nearly 300 drawings—many newly photographed—that reshape our understanding of his oeuvre. The catalogue and introduction counter many recurrent myths and locate this fascinating, witty, and inventive artist in the context of his own time. A man who turned observation into invention: botanist, court entertainer, and optical trickster all in one.


The author

Thomas DaCosta Kaufmann is the Frederick Marquand Professor of Art and Archaeology at Princeton University. His work focuses on European art and architecture from 1500 to 1800 within a global context, as well as world art history, and the geography and historiography of art. He is a member of the Swedish, Polish, and Flemish Academies of Sciences and has received the Palacký Medal from the Czech Academy of Sciences, among other honors. He has published 15 books that have been translated into a variety of languages, edited five more, and authored more than 250 articles and reviews; two additional books are currently in press.

Arcimboldo
Hardcover, 29 x 39.5 cm, 4.21 kg, 352 pages

ISBN 978-3-7544-0510-9

Edition: German

ISBN 978-3-7544-0511-6

Edition: English
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