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The Magic Book

Clothbound, 6.7 x 9.4 in., 4.11 lb, 544 pages
US$ 40
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Take a truly magical mystery tour with this sparkling compendium of magic and trickery from medieval thaumaturgies to 20th-century showmen. Featuring hundreds of rarely seen vintage posters, photographs, handbills, and engravings, The Magic Book follows this special performing art from the 1400s to the 1950s.

Customer reviews (2)

Art of Enchantment

The world’s greatest magicians from the Middle Ages to the 1950s
Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility—whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the Internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible.

This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 750 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Bruegel among others, The Magic Book traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magicians’ craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s golden age of magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians.
The authors

Mike Caveney is a writer, collector, professional magician, and the publisher of over 50 books on the theory, practice, and history of magic. His biographical works include Kellar’s Wonders (2003) with Bill Miesel, and Carter the Great (1995). An avid collector and performer for over four decades, he has appeared onstage or on TV in more than 20 countries.

Jim Steinmeyer is the author of many books on magic history and practice, including Los Angeles Times best seller Hiding the Elephant (2004) and The Glorious Deception (2006). He has created deceptions featured by magicians such as Doug Henning, David Copperfield, and Siegfried and Roy, and critically acclaimed illusions for Broadway hits Mary Poppins, Beauty and the Beast, and Into the Woods.

The contributing author

Ricky Jay, who has contributed the introduction to this book, is one of the world's great sleight of hand artists, and a distinguished actor, historian, and best-selling author. His Learned Pigs & Fireproof Women and Jay’s Journal of Anomalies were both New York Times "Notable Books of the Year," and he defined the terms of his art for The Cambridge Guide to American Theatre and Encyclopedia Britannica.

The editor

Noel Daniel is a graduate of Princeton University and a former Fulbright Scholar to Berlin. Her TASCHEN publications include TATTOO 1730s-1950s, Kay Nielsen’s A Thousand and One Nights and East of the Sun and West of the Moon, The Fairy Tales of the Brothers Grimm, The Fairy Tales of Hans Christian Andersen, Wintertime Tales, Magic, and The Circus.

The Magic Book
Clothbound, 6.7 x 9.4 in., 4.11 lb, 544 pages

Customer reviews (2)

This book is lacigam

Nicola, October 28, 2021
This book is magical. Through its pages it is possible to discover humanity's relationship with magic over the centuries. The power of the images collected in this work says more than words and I was literally mesmerized. An essential book for those who love the world of magic, for those who want to get closer to it or simply want to take a journey into the past, present and future.

Magi-stral !

Pierre, October 27, 2021
Quand des passeurs passionnés savent faire passer leur passion, ça donne ce type d'ouvrage foisonnant, épais mais qui se dévore pas d'une traite mais presque. Parsemé de personnages aussi hauts en couleurs que l'art publicitaire qui les mit en valeur avec une imagination souvent délirante et délicieusement mensongère mais c'est là tout le prestige et l'art de la manipulation des spectateurs.