Marvin E. Newman. Art Edition No. 76–150 ‘Broadway, Believe It, 1958’Edition of 75Pigment print on Platine Archival Fibre Rag paper, 30.5 x 45.6 cm (12 x 18 in.) on 38 x 50 cm (15 x 20 in.) paper, hardcover in slipcase, 30.5 x 44 cm (12 x 17.3 in.), 236 pages2000Edition: English Availability: In Stock
Art Edition (76–150), with the print Broadway, Believe It (1958), each numbered and signed by Marvin E. Newman
Marvin E. Newman, Art Edition No. 76–150 ‘Broadway, Believe It, 1958’2000
The undiscovered New York photographer Marvin E. Newman
Today, Newman’s vivid images are lauded by the likes of Eastman House, MoMA, and the International Center of Photography, but remain largely undiscovered beyond a prestigious collector and gallery circle. In this stately Art Edition, TASCHEN presents the photographer’s first ever career monograph, featuring some 170 pictures from the late 1940s through to the early 1980s, and accompanied by the signed photographic print Broadway, Believe It, 1958.
As the unofficial headquarters of postwar New York, Times Square and 42nd Street were a perfect location for Newman’s highly graphic and unique cityscapes. This image is part of a seminal color series on Times Square that will resonate with all lovers of street photography. Newman has used everything at his disposal: color film, tungsten lighting, the movie theaters, the marquees, the dazzling brightness, the driving rain, and the juxtaposition of light and shadows which turns Times Square into the ultimate theatrical production. The result is a glorious show where reality and fantasy blur to create a compulsive viewing experience and where the only option is to “Believe It.”
The signed Art Edition volume includes other vivid tableaux across New York, as well as top shots from Newman’s sports photography portfolio for the likes of Life, Look, and Sports Illustrated, and images from the Midwest; Chicago; a vintage 1950s circus; a legalized brothel in Reno, Nevada; Las Vegas; Alaska; and the West Coast. With a new essay by critic and scholar Lyle Rexer, this first chronological retrospective offers due recognition to an outstanding talent and a tribute to New York in all its thrilling, chaotic, and stately glory.
Art Edition (76–150), with the print Broadway, Believe It (1958), each numbered and signed by Marvin E. Newman.
Also available as three additional Art Editions of 75 copies each, with alternative signed prints, and as a signed Collector's Edition (No. 301–1,000).
Marvin E. Newman (b. 1927) was one of the first recipients of a Master of Science degree in Photography at Chicago’s Institute of Design. A native New Yorker, he shot sports for Life, Look, and Sports Illustrated. His work has been lauded by the likes of Eastman House, MoMA, and the International Center of Photography (ICP).
Lyle Rexer is a New York–based writer, curator, and art critic. He is a contributor to Photograph magazine, and has written for many others including Art in America, Aperture, and Modern Painters. His books include The Edge of Vision: The Rise of Abstraction in Photography and How to Look at Outsider Art. A Rhodes scholar, he serves on the faculty at School of Visual Arts in New York City.
Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids.
Marvin E. Newman. Art Edition No. 76–150 ‘Broadway, Believe It, 1958’Edition of 75Pigment print on Platine Archival Fibre Rag paper, 30.5 x 45.6 cm (12 x 18 in.) on 38 x 50 cm (15 x 20 in.) paper, hardcover in slipcase, 30.5 x 44 cm (12 x 17.3 in.), 236 pages
ISBN 978-3-8365-6524-0Edition: English
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