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Art Record Covers. 40th Ed.

30Edition: Multilingual (English, French, German)Availability: In Stock
This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dalí’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.
Hardcover6.1 x 8.5 in.2.72 lb512 pages
“Celebrates the records and artworks we’ve loved and re-loved over the decades.”

“A comprehensive look at some of the most memorable artworks in music history.”

The Independent
Art Record Covers. 40th Ed.

Art Record Covers. 40th Ed.


Sound Art

An unprecedented collection of artists’ record covers from the 1950s to today

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.

In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter.

Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
The author

Francesco Spampinato is a writer and historian of contemporary art and visual culture. He holds degrees from the University of Bologna and Columbia University, and a PhD from Sorbonne Nouvelle University. From 2011 to 2015, he was an adjunct professor at the Rhode Island School of Design, and since 2019 he has been a senior assistant professor at the University of Bologna. Author of several books and regular contributor to magazines and academic journals, he focuses on how contemporary artists interact with the media and everyday life in his own academic research.

The editor

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

Art Record Covers. 40th Ed.
Hardcover15.6 x 21.7 cm1.23 kg512 pages

ISBN 978-3-8365-8816-4

Edition: Multilingual (English, French, German)
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10 Ratings

Must have

Tommaso,October 27, 2021
A must have for all the music lovers.


Isabel,October 27, 2021
Love this book - such great musical history!


Richard,October 27, 2021
Taschen is for me a perfect present.

Music Art!

Imre S.,October 27, 2021
Great experience getting to know about the artist which designed some of the most known record labels!

Ein tolles Buch

Ronnie,November 4, 2021
Es zeigt die besten Designs meiner Lieblingsplatten.

Thumb up

Peter,November 2, 2021
Geht nicht besser! Like it ... even more