October 16, 2026 - March 14, 2027
Porträts: Überraschende Begegnungen von Botticelli bis Lempicka
Gemäldegalerie, Berlin, Germany
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de Lempicka
20
Basic Art Series
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Live art in the fast lane with this essential introduction to Tamara de Lempicka who left one of the most vivid visual documents of the Roaring Twenties. From her iconic Self-Portrait in the Green Bugatti to portraits of high-society patrons, this book traces the artist’s unique visual language and its privileged place in the annals of interwar art.
Hardcover, 8.3 x 10.2 in., 1.30 lb, 96 pages
de Lempicka
20Freewheeling
Tamara de Lempicka, icon of Art Deco
Tamara de Lempicka (1898–1980) lived art in the fast lane. With an appetite for glamour and fame as much as Left Bank bohemianism, she fled St. Petersburg after the Bolshevik revolution and set about taking Paris by storm. Her prolific, monumental oeuvre remains one of the most vivid visual documents of 1920s Art Deco.
De Lempicka’s style deployed cool colors and tight post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects are often nude and always sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. They include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing and Portrait of Suzy Solidor. De Lempicka’s notorious Self-Portrait in the Green Bugatti, meanwhile, was commissioned for the cover of German magazine Die Dame and became an icon of speed, sophistication, and female independence.
Through some of de Lempicka’s finest, most compelling portraits, this introduction explores the artist’s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and our collective consciousness of the Roaring Twenties.
De Lempicka’s style deployed cool colors and tight post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects are often nude and always sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. They include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing and Portrait of Suzy Solidor. De Lempicka’s notorious Self-Portrait in the Green Bugatti, meanwhile, was commissioned for the cover of German magazine Die Dame and became an icon of speed, sophistication, and female independence.
Through some of de Lempicka’s finest, most compelling portraits, this introduction explores the artist’s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and our collective consciousness of the Roaring Twenties.
The author
Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.
de Lempicka
Hardcover, 21 x 26 cm, 0.59 kg, 96 pagesISBN 978-3-8365-3227-3
Edition: EnglishDownload product images here
Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN’s Basic Art series features:
• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 illustrations with explanatory captions
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