October 03, 2026 - January 31, 2027
Renoir and Love
National Gallery, London, United Kingdom
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Impressionism. 1860-1920
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With blockbuster exhibitions, record-breaking auctions, and packed museums, Impressionism remains a close contender for the world’s favorite period of painting. This comprehensive book covers the movement’s key innovations and pioneering artists, including oft-neglected practitioners such as Berthe Morisot, Lucien Pissarro, and Gustave Caillebotte.
Hardcover, 5.5 x 7.7 in., 2.62 lb, 784 pages
“The definitive guide to the Impressionist movement.”
Impressionism. 1860-1920
25Brushwork Revolution
The neglected champions of Impressionism
It was a dappled and daubed harbor scene that gave Impressionism its name. When Impression, Sunrise by Claude Monet was exhibited in April 1874, critics seized upon the work’s title and its loose stylistic rendering of light and motion upon water to deride this new, impressionistic tendency in art.
As with many seminal art movements, the critics got their comeuppance. Today, Impressionism is a close contender for the world’s favorite period of painting. With blockbuster exhibitions, record-breaking auction prices, and packed museums, the works once dismissed as unfinished or imprecise are now beloved for their atmospheric evocation of time and place, as well as the stylistic flair of rapid brushstrokes upon canvas.
Despite its popularity and a whole host of publications, many areas and artists of Impressionism remain inadequately researched. This TASCHEN book fills the gap, raising the profile of unjustly neglected pioneers such as Berthe Morisot, Lucien Pissarro, and Gustave Caillebotte, while exploring the characteristics of Impressionism, from painting en plein air to vivid color contrasts, not only in the movement’s native France but also across the rest of Europe and North America.
As with many seminal art movements, the critics got their comeuppance. Today, Impressionism is a close contender for the world’s favorite period of painting. With blockbuster exhibitions, record-breaking auction prices, and packed museums, the works once dismissed as unfinished or imprecise are now beloved for their atmospheric evocation of time and place, as well as the stylistic flair of rapid brushstrokes upon canvas.
Despite its popularity and a whole host of publications, many areas and artists of Impressionism remain inadequately researched. This TASCHEN book fills the gap, raising the profile of unjustly neglected pioneers such as Berthe Morisot, Lucien Pissarro, and Gustave Caillebotte, while exploring the characteristics of Impressionism, from painting en plein air to vivid color contrasts, not only in the movement’s native France but also across the rest of Europe and North America.
The editor
Ingo F. Walther (1940–2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther’s many titles for TASCHEN include Vincent van Gogh, Pablo Picasso, Art of the 20th Century, and Codices illustres.
Impressionism. 1860-1920
Hardcover, 14 x 19.5 cm, 1.19 kg, 784 pagesISBN 978-3-8365-5711-5
Edition: EnglishDownload product images here
October 11, 2026 - February 10, 2027
Renoir, Bonnard, Matisse: Carl Piepho und der Impressionismus nach 1900
Museum Georg Schäfer, Schweinfurt, Germany
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Geschichtsunterricht!
December 15, 2025
Woher meine Liebe für die Werke der Impressionisten kommt, kann ich nicht genau sagen. Ich habe in den letzten drei Jahren damit angefangen, gezielt Ausstellungen dieser Maler innerhalb von Deutschland aufzusuchen. Dabei muss es wohl passiert sein, diese Leidenschaft. Nun bin ich dabei, mir mit diesem Buch des „Taschen Verlags“ historische Hintergründe zu diesen Malern und deren Bilder zu erschließen. Nach etwa 80 Seiten ist es vielversprechend, dies auch zu gewährleisten.