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Christopher Wool, Art Edition
Edition of 100Silk-screen print on fine art paper, 15.2 x 19.8 cm (6 x 7.8 in.) on 43.2 x 55 cm (17.1 x 18.1 in.) paper, hardcover volume in clamshell box, 33 x 44 cm (13 x 17.3 in.), 426 pages10000Edizione: Francese, Inglese, TedescoQuesta edizione è esaurita. Tuttavia, occasionalmente, si rendono disponibili delle copie. Vi preghiamo di iscrivervi alla nostra lista d'attesa, in modo da potervi informare se questa edizione o altre simili si rendono disponibili.
With more than 500 pages, this impressive Christopher Wool Art Edition documents all stages of the artist’s career through large-scale reproductions, production Polaroids, and installation photos by Wool himself. It comes with an original Wool artwork produced exclusively for this publication,a digital collage of photographs of Wool paintings creating a new, abstract image.
Limited Art Edition of 100 copies, each numbered and signed by Christopher Wool, including a silk-screen print on fine art paper also signed by the artist
Limited Art Edition of 100 copies, each numbered and signed by Christopher Wool, including a silk-screen print on fine art paper also signed by the artist
Sold Out
Informarsi presso il negozio TASCHEN più vicino.
XXL
I libri XXL misurano almeno 39 cm.
Christopher Wool, Art Edition
10000Sell the Kids
The Christopher Wool Art Edition
In your face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to Abstract Expressionism and Pop Art, he completely transcends these genres. Whether it’s a text-based painting or an abstract spray-painted piece, Wool questions painting, like many other artists in his generation, but he doesn’t provide any easy answers. As one piece proclaims, “The harder you look the harder you look.”
Wool became known in the mid-1980s through all-over paintings produced with rubber rollers commonly used to simulate decorative wallpaper patterns on walls. By 1988 he had hit stride with his dry, dead-pan word paintings (“Trbl,” “Riot,” “Sell the House, Sell the Car, Sell the Kids”), while continuing to explore the possibilities of pattern painting. From the 1990s, he developed the painterly qualities of his work, using a mostly black-and-white palette, starting from abstract lines drawn with a spray gun or layered stock images, overpainting silk screens on linen, wiping out images, with a widening variety of media, including photography, silkscreen, and computer graphics.
This impressive Art Edition, signed by the artist, comes with an original Wool artwork produced exclusively for this publication, a digital collage of photographs of Wool paintings that arrives at a new, entirely abstract image. Across more than 500 pages,the monograph itself covers all phases of Wool’s career to date in large-scale reproductions, production Polaroids,and installation photos by Wool himself. Essays and analyses by Glenn O’Brien, Jim Lewis, Ann Goldstein, Anne Pontégnie, Richard Hell, and Eric Banks make this book a great read as well as a definitive study of the artist’s oeuvre so far.
Limited Art Edition of 100 copies, each signed by Christopher Wool, including a silk-screen print on fine art paper also signed by the artist
Wool became known in the mid-1980s through all-over paintings produced with rubber rollers commonly used to simulate decorative wallpaper patterns on walls. By 1988 he had hit stride with his dry, dead-pan word paintings (“Trbl,” “Riot,” “Sell the House, Sell the Car, Sell the Kids”), while continuing to explore the possibilities of pattern painting. From the 1990s, he developed the painterly qualities of his work, using a mostly black-and-white palette, starting from abstract lines drawn with a spray gun or layered stock images, overpainting silk screens on linen, wiping out images, with a widening variety of media, including photography, silkscreen, and computer graphics.
This impressive Art Edition, signed by the artist, comes with an original Wool artwork produced exclusively for this publication, a digital collage of photographs of Wool paintings that arrives at a new, entirely abstract image. Across more than 500 pages,the monograph itself covers all phases of Wool’s career to date in large-scale reproductions, production Polaroids,and installation photos by Wool himself. Essays and analyses by Glenn O’Brien, Jim Lewis, Ann Goldstein, Anne Pontégnie, Richard Hell, and Eric Banks make this book a great read as well as a definitive study of the artist’s oeuvre so far.
Limited Art Edition of 100 copies, each signed by Christopher Wool, including a silk-screen print on fine art paper also signed by the artist
L'editore
Hans Werner Holzwarth è grafico e curatore editoriale specializzato in arte contemporanea e fotografia. Le sue pubblicazioni per TASCHEN comprendono Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei e il SUMO di David Hockney A Bigger Book, nonché monografie quali Jean-Michel Basquiat.
Testi di
Ann Goldstein is Director of the Stedelijk Museum Amsterdam, and formerly was Senior Curator at The Museum of Contemporary Art, Los Angeles.
Anne Pontégnie is an independent curator and art writer working from Brussels.
Eric Banks, former senior editor of Artforum, is a writer based in New York.
Glenn O’Brien is a writer who lives in New York. He is the author of How to Be a Man, Human Nature (dub version), and Soap Box.
Jim Lewis is the author of three novels—most recently, The King Is Dead—and numerous essays on the visual arts.
Richard Hell, writer and musician, is the author of the novels Go Now and Godlike and the collection Hot and Cold. His memoir, called I Dreamed I Was a Very Clean Tramp, will be published in 2013.
Christopher Wool, Art Edition
Edition of 100Silk-screen print on fine art paper, 15.2 x 19.8 cm (6 x 7.8 in.) on 43.2 x 55 cm (17.1 x 18.1 in.) paper, hardcover volume in clamshell box, 33 x 44 cm (13 x 17.3 in.), 426 pagesISBN 978-3-8365-0361-7
Edizione: Francese, Inglese, TedescoScarica qui le immagini del prodotto
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