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All-American Ads of the 70s

40Edizione: Multilingue (Francese, Inglese, Tedesco)Disponibilità: Disponibile
Questo volume offre una panoramica completa e nostalgica della pubblicità degli anni Settanta. Mentre la televisione e gli altri media iniziavano a competere per i dollari della pubblicità, nuove idee venivano incorporate in un mondo post-hippie in cui la discoteca si scontrava con il punk, e la coscienza sociale, la salute e la consapevolezza ambientale si scontravano con la Me Generation.
Copertina rigida7.7 x 10.0 in.4.59 lb640 pagine
All-American Ads of the 70s

All-American Ads of the 70s

40

Disco and Discovery

Ads of the 1970s get funky and socially conscious

Both eclipsed and influenced by television, American print ads of the 1970s departed from the bold, graphic forms and subtle messages that were typical of their sixties counterparts. More literal, more in-your-face, 70s ads sought to capture the attention of a public accustomed to blaring, to-the-point TV commercials.

All was not lost, though; as ads are a sign of the times, racial and ecological awareness crept into everything from cigarette to car advertisements, reminding Americans that everyday products were hip to the modern age. In an attempt to discover how best to communicate with a mass audience, marketing specialists studied focus groups with furious determination, thus producing such dumbed-down gems as "sisters are different from brothers," the slogan used for an African-American hair product. By the end of the decade, however, print ads had begun to recoup, gaining in originality and creativity as they focused on target audiences through carefully chosen placement in smaller publications.

A fascinating study of mass culture dissemination in a post-hippie, television-obsessed nation, this weighty volume delivers an exhaustive and nostalgic overview of 70s advertising.
L'autore

Steven Heller has produced over 200 books on visual communication and published countless articles in international design magazines. Currently he is cofounder and cochair of the MFA Design program at the School of Visual Arts, New York.

L'editore

Jim Heimann is the Executive Editor for TASCHEN. A cultural anthropologist, historian, and an avid collector, he has authored numerous titles on architecture, pop culture, and the history of Los Angeles and Hollywood, including TASCHEN’s Surfing, Los Angeles. Portrait of a City, California Crazy, and the All-American Ads series.

All-American Ads of the 70s
Copertina rigida19.6 x 25.5 cm2.08 kg640 pagine

ISBN 978-3-8365-8860-7

Edizione: Multilingue (Francese, Inglese, Tedesco)
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