English
Josef Heinrich Darchinger, Wirtschaftswunder
Company: TASCHEN America LLC
Date: June 14, 2008
Contact: Christa Carr
"Commenting on history": rare color photographs of the German "economic miracle"
Germany after the war 1952 - 1967
It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country’s major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger’s pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an “economic miracle.” The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created. The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between "German Gemütlichkeit" and the constant threat of the Cold War. They show the winners and losers of the “economic miracle,” people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century.
This Collector's Edition is limited to 1,000 copies, each numbered and signed by J. H. Darchinger and containing the signed color photograph Reichstag, Berlin, 1958 in the format 30 x 35.5 cm
About the editor:
Frank Darchinger was born in Bonn in 1949. In 1977, after having finished his studies in English and German literature, he began his career as a photojournalist, while also assisting his father, Josef Heinrich Darchinger, with the classifying and updating of his legendarily vast and efficient photographic archive. It was through his endeavours to make his father's work accessible to the general public that the organizing of photographic exhibitions and the designing of photographic books and catalogues became one of his main activities. Today Frank Darchinger works as a freelance photographer in Bonn.
About the photographer:
Josef Heinrich Darchinger started working as a freelance photojournalist in 1952. Darchinger’s photographs began to regularly appear in reputable German print media starting in the mid-1960s. In his years as a photographer for Spiegel and Die Zeit, Darchinger had a formative influence on the magazines' national news coverage of Bonn. He also presented his work at exhibitions and in collections of photographic portraits—for instance of Helmut Schmidt, Willy Brandt, Richard von Weizsäcker, or of Heinrich Böll. Darchinger received numerous awards, among which was the prestigious Dr. Erich Salomon Award from the German Photographic Association.
About the author:
Klaus Honnef is honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art (1988), Andy Warhol (1989), and Pop Art (2004).
Date: June 14, 2008
Contact: Christa Carr
"Commenting on history": rare color photographs of the German "economic miracle"
Germany after the war 1952 - 1967
It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country’s major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger’s pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an “economic miracle.” The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created. The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between "German Gemütlichkeit" and the constant threat of the Cold War. They show the winners and losers of the “economic miracle,” people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century.
This Collector's Edition is limited to 1,000 copies, each numbered and signed by J. H. Darchinger and containing the signed color photograph Reichstag, Berlin, 1958 in the format 30 x 35.5 cm
About the editor:
Frank Darchinger was born in Bonn in 1949. In 1977, after having finished his studies in English and German literature, he began his career as a photojournalist, while also assisting his father, Josef Heinrich Darchinger, with the classifying and updating of his legendarily vast and efficient photographic archive. It was through his endeavours to make his father's work accessible to the general public that the organizing of photographic exhibitions and the designing of photographic books and catalogues became one of his main activities. Today Frank Darchinger works as a freelance photographer in Bonn.
About the photographer:
Josef Heinrich Darchinger started working as a freelance photojournalist in 1952. Darchinger’s photographs began to regularly appear in reputable German print media starting in the mid-1960s. In his years as a photographer for Spiegel and Die Zeit, Darchinger had a formative influence on the magazines' national news coverage of Bonn. He also presented his work at exhibitions and in collections of photographic portraits—for instance of Helmut Schmidt, Willy Brandt, Richard von Weizsäcker, or of Heinrich Böll. Darchinger received numerous awards, among which was the prestigious Dr. Erich Salomon Award from the German Photographic Association.
About the author:
Klaus Honnef is honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art (1988), Andy Warhol (1989), and Pop Art (2004).
New!
Josef Heinrich Darchinger, Wirtschaftswunder
Hardcover 12.2 x 10.1 in., 288 pages
$ 39.99
$ 39.99
Here comes the unlimited popular edition. Rare color photographs of the German "economic miracle"
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