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La beauté au rang d’art - L’ascension de Naomi Campbell vers les sommets de la gloire, à travers les plus grands noms de la photographie et de la mode

La beauté au rang d’art

L’ascension de Naomi Campbell vers les sommets de la gloire,
à travers les plus grands noms de la photographie et de la mode

Naomi Campbell, Art Edition No. 1–100, Jean-Paul Goude ‘Harper’s Bazaar’

Édition de 100 exemplaires
US$ 5.000
  • «…un ouvrage majestueux pour célébrer une carrière exceptionnelle… on découvre de sublimes extraits de ses meilleurs contrats, que vient compléter une biographie honnête et détaillée du top britannique.»

    — Redbulletin.com
  • «Naomi Campbell fait l’objet d’un véritable livre d’art à sa gloire… Un ouvrage à la hauteur de sa légende.»

    — gqmagazine.fr
  • “Icon, goddess, London girl. Indulge in a spot of Naomi worship with this new book.”

    — ES Magazine, London
  • “The book is a culmination of my life’s work. It includes all that I’ve done in the fashion business for the past 29½ years. The book is a timeline of my career, and has allowed me to remember and give credit to all the wonderful people I’ve had the pleasure of working with over the years. Because of this, it’s very special to me. It took quite a few years to put this book together, because we didn’t want to rush it. It was important both to Benedikt Taschen and I to find all of my pictures and compile them into two really beautiful books…Working with Benedikt was a great experience – I love and respect him, and I wouldn’t have wanted to create a book like this with anyone else. For me, it was a dream come true.”

    — Naomi Campbell speaking in GARAGE Magazine, London
  • “Few models can lay claim to such an unmistakable body, or to the unmistakable body of work inside. Campbell has coyly played Eve for Peter Lindbergh, raced against a cheetah for Jean-Paul Goude, and transformed into a silvery cyborg for Seb Janiak. Campbell has built the kind of persona that warrants a two-volume coffee-table book by tempering her out-of-this-world looks with a heavy dose of realness.”

    — New York magazine, New York