Since her first photographs in the late ’70s, Bettina Rheims
has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I.
(1998), from Chanel commercials to Gender Studies
(2011), her work has shaken up traditional iconography and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection
This Rheims retrospective showcases more than 500 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims
, the collection juxtaposes renowned series such as Chambre Close, Héroïnes,
and Rose, c’est Paris
with many previously unpublished archival images and entries from Rheims’s own “diaries,” detailing behind-the-scenes work and personal memories
Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheims’s subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer,
and Naomi Campbell
, the book showcases Rheims’s particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood
.First published as a limited edition—now available in a popular TASCHEN edition!