The Rumble in the Jungle
Mailer’s masterpiece commentary and Ali’s master photographers
On October 30, 1974, in Kinshasa, Zaire, at the virtual center of Africa, two African American boxers were paid five million dollars apiece to confront each other in an epic match. One was Muhammad Ali
, who vowed to reclaim the championship he had lost. The other was George Foreman, who was as taciturn as Ali was voluble and who kept his hands in his pockets “the way a hunter lays his rifle back into its velvet case.”
Observing them both was New Journalism heavyweight Norman Mailer
, whose grasp of the titanic battle’s feints and stratagems—and sensitivity to their deeper symbolism—made his 1975 book, The Fight, a sportswriting classic
. Now, 40 years after its first publication, TASCHEN presents the first illustrated edition of Mailer’s masterpiece
with a wealth of color and black-and-white photographs by the two men who captured Ali in the ring and in private like no one else: Neil Leifer
and Howard L. Bingham.
This Art Edition of 125 copies
presents the book with a signed pigment print by Neil Leifer, Ali vs Foreman – Foreman Being Counted Out.
Considered by many to be the greatest living sports photographer, Neil Leifer’s technical mastery and tenacious spirit opened the door to nearly any assignment, from the sidelines of Super Bowls to the Olympics. But his favorite subject was and always will be Muhammad Ali.
When he arrived in Kinshasa before this match, Leifer feared the worst for his friend, but ended up capturing one of Ali’s sweetest victories. The bird’s-eye image harkens back to his famous overhead view of Ali’s 1966 knockout of Cleveland Williams
, but in Zaire, boxing history is made as the favored Foreman falls. Seven years after being stripped of his title, Muhammad Ali is champion again at 32.Marking the year of the match, The Fight is limited to 1,974 numbered copies signed by the photographers. Copies No. 126–250 come with a pigment print signed by Neil Leifer: Ali vs Foreman – Foreman Being Counted Out.
Also available as:
Art Edition (No. 1–125) with an alternative print signed by Neil Leifer.
Collector’s Edition (No. 251–1,974) signed by Neil Leifer and Howard Bingham.