Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 1

Art Edition B - No. 126-250Marilyn: Color 3, Frame 18, May 1962
Archival pigment print on Hahnemühle Photo Rag Baryta 315GS paper
37 x 23.6 cm / 14.6 x 9.3 (image)
39.5 x 29 cm / 15.6 x 11.4 (paper)
(Frame not included)

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 3

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 4

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 5

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 6

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 7

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 8

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 9

Lawrence Schiller. Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’ - image 10

Lawrence Schiller.
Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’

Edition of 125

Pigment print on Hahnemühle Photo Rag Baryta 315GS paper, 14.6 x 9.3 in. on (15.6 x 11.4 in) paper, hardcover volume in clamshell box, 11.4 x 15.6 in., 210 pages

US$ 3,000

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The intimate story of a star before her fall and a young photographer on his way to the top. In this Art Edition, Lawrence Schiller pairs his extraordinary Monroe portfolio with personal memories of Marilyn, told with tact, humor, and compassion. The result is a real and unexpected portrait that captures the star months before her untimely death.

Limited Art Edition of 125 copies with gelatin silver print from the swimming pool scene of Something’s Got to Give, which was Monroe’s last film.

Teaser

In the Flesh

Marilyn Monroe on the set of her final film

“You’re already famous, now you’re going to make me famous,” photographer Lawrence Schiller said to Marilyn Monroe on assignment for Paris Match magazine. “Don’t be so cocky,” Marilyn replied, “photographers can be easily replaced.”

Marilyn & Me combines Schiller’s extraordinary Monroe pictures—over two thirds of which have never or rarely been published with his own story of Marilyn, told here for the first time with tact, humor, and compassion. The result is a real and unexpected portrait of the star in the midst of her final struggle.

This Art Edition of 125 numbered copies (No. 1-125), each signed by Lawrence Schiller, comes with a gelatin silver print from the swimming pool scene of Something’s Got to Give, Monroe’s last film.

Lawrence Schiller.
Marilyn & Me, Art Edition No. 126–250 ‘Color 3, Frame 18’

Edition of 125

Pigment print on Hahnemühle Photo Rag Baryta 315GS paper, 14.6 x 9.3 in. on (15.6 x 11.4 in) paper, hardcover volume in clamshell box, 11.4 x 15.6 in., 210 pages