A historic trail through the heart of Japan, as told by two legendary woodblock artists
The Kisokaidō route through
Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the
arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist
Keisai Eisen was commissioned to create a series of works to chart the Kisokaidō journey. After producing 24 prints, Eisen was replaced by
Utagawa Hiroshige, who completed the series of 70 prints in 1838.
Both
Eisen and Hiroshige were master print practitioners. In
The Sixty-Nine Stations along the Kisokaidō, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of
glamorous women, and relishes
snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with
grandiose and evocative scenes, whether it’s the
peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.
Taken as a whole,
The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including
bold compositions and an
experimental use of color, but also
a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN XXL edition revives the series with due scale and splendor. Sourced from the
only-known set of a near-complete run of the first edition of the series, this legendary publication is
reproduced in optimum quality, bound in the Japanese tradition and with uncut paper. A perfect companion piece to TASCHEN’s
One Hundred Famous Views of Edo, it is
at once a visual delight and a major artifact from the bygone era of Imperial Japan.
The editor and author
Andreas Marks studied East Asian art history at the University of Bonn and obtained his PhD in Japanese studies from Leiden University with a thesis on 19th-century actor prints. From 2008 to 2013 he was director and chief curator of the Clark Center for Japanese Art in Hanford, California, and since 2013 has been the Mary Griggs Burke Curator of Japanese and Korean Art, head of the Department of Japanese and Korean Art, and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. He is the author of The Sixty-Nine Stations along the Kisokaido (2017), Japanese Woodblock Prints (2019), and Thirty-six Views of Mount Fuji (2021).
The author
Rhiannon Paget studied at Tokyo University of the Arts and received her doctorate in Japanese Art History from the University of Sydney, Australia. The curator of Asian art at the John & Mable Ringling Museum of Art in Sarasota, Florida, she has published research on Japanese woodblock prints, textiles, board games, and nihonga.
Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido
Japanese binding in clothbound box, 17.3 x 11.8 in., 234 pages, in cardboard box with handle
ISBN 978-3-8365-3938-8
Multilingual Edition: English, French, German
