LeonardoHardcover, 11.4 x 17.3 in., 19.79 lb, 696 pages200
Leonardo da Vinci. Complete Paintings and Drawings200
Da Vinci in Detail
Leonardo’s life and work—the definitive edition
* Part I explores Leonardo’s life and work in ten chapters, drawing upon his letters, contracts, diary entries, and writings. All of his paintings are presented and interpreted in depth, with The Annunciation and The Last Supper featured on large double-spreads.
* Part II comprises a catalogue raisonné of Leonardo’s paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation. Each and every painting that can be justifiably attributed to Leonardo is included here; thanks to new findings and scientific research, this is the first time his definitive painting oeuvre is being published.
* Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc). Over half of the drawings included were provided by Windsor Castle, marking the first time that the Castle has allowed a publisher to reproduce so many of their drawings.
This landmark collection discusses the most recent findings of Leonardo scholarship and debates controversial new attributions. It also contains new images showing the spectacular restoration of Leonardo’s Virgin of the Rocks in the National Gallery, London; his Virgin and Child with St. Anne, in the Louvre, Paris; and the Mona Lisa in the Prado, Madrid.
This sumptuous TASCHEN offering is the most thorough and beautifully produced Leonardo book ever published.
Frank Zöllner wrote his doctoral thesis on motifs originating from Antiquity in the history of art and architecture of the Medieval and Renaissance periods (1987). He is also the author of a postdoctoral treatise on motion and expression in the art of Leonardo da Vinci, published in 2010. He has published numerous works on Renaissance art and art theory, and on 20th-century art. Since 1996 he has been Professor of Medieval and Modern Art at the University of Leipzig. For TASCHEN he has authored the XL monographs on Leonardo da Vinci and Michelangelo.
Johannes Nathan studied art history at New York University and the Courtauld Institute of Art in London, where he earned his Ph.D. in 1995 with a dissertation on the working methods of Leonardo da Vinci. He is the author of numerous art publications, director of Nathan Fine Art (Berlin and Zürich) and teaches art history at the Technische Universität, Berlin.