Bob Willoughby, Audrey Hepburn. Photographs 1953–1966
Our Fair Lady
The Tiffany princess in the little black dress
An unrivaled document of one of the 20th century's touchstone beauties, by one of Hollywood's greatest photographers. This Collector’s Edition is limited to 1,000 copies, numbered and signed by Bob Willoughby.
"People, even more than things, have to be restored, renewed, revived, reclaimed, and redeemed; never throw out anyone." —Audrey Hepburn
In his distinguished career as a Hollywood photographer, Bob Willoughby took iconic photos of Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Kathleen Ruston, later Edda van Heemstra Hepburn-Ruston, best known as Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. "She took my hand like...well a princess, and dazzled me with that smile that God designed to melt mortal men's hearts," he recalls.
As Hepburn's career soared following her Oscar-winning US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn's beauty and elegance, as she progresses from her debut to her career high of My Fair Lady in 1963. Willoughby's studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography's great platonic love affairs and an unrivalled record of one of the 20th century's touchstone beauties.
About the photographer:
Bob Willoughby (1927-2009) took his first photo at the age of twelve. By 1954 his exhibitions of photographs of jazz musicians and dancers led to a contract with Globe Photos, followed by work at Harper's Bazaar. After shooting Judy Garland during filming of A Star is Born he became the first "unit photographer"—hired specifically by movie studios to take on-set promotional "stills". The author of numerous books on photography, he lived his last years in Vence, France.
latimes.com
   Leaf through!
Subscription
Price valid until September 30! Thereafter the retail price will be € 500 | $ 700 | £ 450 |
New!
Bob Willoughby, Audrey Hepburn. Photographs 1953–1966
Bob Willoughby
Hardcover in a clamshell box, single carton, outside carton shrink-wrapping, 31 x 38.8 cm (12.2 x 15.3 in.), 282 pages $ 500.00 |
 |
Bettina Rheims: Rose, c'est Paris, 2009 A multi-layered opus of poetic symbolism, Rose, c'est Paris presents a city of surrealist visions, confused identities, obsession, fetish and seething desire Art Edition limited to just 100 signed and numbered copies, each with the numbered original print Rose, c'est Paris, 2009, 30 x 40 cm (15.8 x 11.8 in) signed by Bettina Rheims. |
 |
Bettina Rheims: Magic City III, 2009 A multi-layered opus of poetic symbolism, Rose, c'est Paris presents a city of surrealist visions, confused identities, obsession, fetish and seething desire Art Edition limited to just 100 signed and numbered copies, each with the numbered original print Magic City III, 2009, 30 x 40 cm (15.8 x 11.8 in) signed by Bettina Rheims. |
 |
Ellen von Unwerth, Fräulein, Art Edition, Fräulein, 2002 Delectable and collectible! Art Edition limited to just 100 signed and numbered copies, each with a digital chromogenic print Fräulein, Rouilly le Bas (2002), 30 x 40 cm (11.8 x 15.8 in). |