More than two centuries have passed since the publication of Robert John Thornton’s The Temple of Flora in 1799, but its charm remains unsullied. Although trained as a medical doctor, Thornton (c. 1768–1837) passionately devoted himself to botany. Only a few decades earlier, Carl Linnaeus had established his revolutionary new system of classification, which today continues to form the backbone of such natural sciences as botany and zoology. Thornton greatly honored the ingenious Swedish scientist and wished his own prodigious undertaking to serve as an ultimate monument to the great botanist.
Today, Thornton’s large-format plates with their stunning floral portraits number among supreme achievements of botanical illustration. Thornton engaged the most renowned flower painters of his age and spared no cost in the creation of this unique work. Surviving complete editions of the Temple number today among the great treasures of only a few libraries; meanwhile, the individual plates have become sought-after and extremely expensive collectors’ items, whose particular allure lies in their unusual combination of monumental, at times exotic plants with highly romantic background landscapes. More than any other floral painting, the bewitchingly illuminated blossoms of the Night-Blooming Cereus, posed before darkening ruins, expresses the late 18th-century sentiment that in the following decades found its characteristic expression in European Romantic literature and painting.
Including all the plates of the Temple of Flora, this edition represents a consummate reprint of the work. In addition to the botanical and cultural historical explanations of the individual plate illustrations, the volume narrates the history of the origin of the work and the life of its author. This resplendent reprint has been made from one of the finest complete original copies, belonging to the Missouri Botanical Garden in St. Louis.
Werner Dressendörferis a pharmaceutical historian, academic librarian, and former honorary Professor at the University of Erlangen-Nuremberg. His particular spheres of interest are the history of the Early Modern herbal, the cultural history of useful and medicinal plants, and plant symbolism in art. He has published extensively on pharmaceutical and botanical history and is the author of TASCHEN’s The Garden at Eichstätt, The Lilies, Leonhart Fuchs: The New Herbal of 1543, Pomona Britannica, The Temple of Flora, and The Vegetable Garden.
"This is a feast for the eyes and a treasure for your coffee table."
— Vogue, London
“Rarely, if ever, has the Flora’s kingdom been so attractively presented. It is a perfect gift to the Linnaean in any country and period. Praise for TASCHEN in making old, rare and expensive science accessible.”
— The Yearbook of the Swedish Linnaeus Society, Uppsala
“Excellent notes blend fact and comment, greatly enhancing the reader’s appreciation… the startling bravura of Thornton’ plates lives on, here well served by the book’s elegant design and high production standards.”
— The Garden, London
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