The art which arose from the 7th century in the Islamic empires reached from Spain and Morocco to the borders of China. It bore the stamp above all of Arabs, Persians and Turks, but outstanding contributions also came from Egypt and India. "Islamic Art" presents prominent examples: luxury ceramics, prayer mats, goldsmithery, as well as witnesses to the decorative arts and calligraphy – and above all the masterpieces of the splendidly colourful courtly book illumination of Persia and the Mughal emperors of India. The book examines the contributions of the different countries and how they influenced each other, and in this way vividly illustrates the unfolding of the delicate splendour and fairytale beauty of Islamic art from its beginnings into the modern era.
Annette Hagedornstudied the history of oriental art, German literature, and art history at the universities of Bonn and Mainz. She has held part-time teaching posts at the universities of Bonn, Mainz and Utrecht. In 1991 she was awarded the Alice-Boner-Memorial Prize from the Alice Boner Foundation in Zurich for her dissertation on Islamic metalwork in the 13th and 14th centuries. Since 2000 she has been co-editor, responsible for art history and archaeology, of the journal Zeitschrift der Deutschen Morgenländischen Gesellschaft.
Norbert Wolf graduated in art history, linguistics and medieval studies at the universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Düsseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velázquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting and Symbolism.
About the Series
Each book in TASCHEN's Basic Genre series features:
a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist
approximately 100 colour illustrations with explanatory captions
"Hagedorn and Wolf are German scholars specializing in art history and criticism. They aim to illustrate the beauty and diversity of Islamic art through the centuries and across the vast geography of the Islamic world. This is a daunting task, but they succeed by offering representative masterpieces in painting, calligraphy, ceramics, tapestry and carpets from some of the world's great museums and collections, such as The British Library in London and Topkapi Palace Museum in Istanbul ... Hagedorn and Wolf open the door to one of the most beautiful aspects of Islamic civilization."