Minimal Art
The bare minimum
Founded as a backlash against abstract expressionism, minimalism was characterized by simplified, stripped-down forms and materials used to express ideas in a direct and impersonal manner. By presenting objects as simple objects, minimal artists sought to communicate without referring to expressive or historical themes. This critical movement, which began in the 1960s and branched out into land art, performance art, and conceptual art, is still a major influence today.
Featured artists: Carl Andre, Stephen Antonakos, Jo Baer, Larry Bell, Ronald Bladen, Walter De Maria, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Gary Kuehn, Sol LeWitt, Robert Mangold, John McCracken, Robert Morris, Robert Ryman, Fred Sandback, Richard Serra, Tony Smith, Robert Smithson, Anne Truitt
About the Series:
Each book in TASCHEN's Basic Genre Series features:
- a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
- a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations
About the editor:
Uta Grosenick lives and works as a freelance author and editor in Cologne. For TASCHEN she has edited, among other books, the following publications: Women Artists, 2001; ART NOW, 2002 (together with Burkhard Riemschneider); Büttner, 2003; ART NOW II, 2005, and numerous books from the Basic Genre Series.
About the author:
Daniel Marzona (b. 1969) studied art history and philosophy at the Ruhr University in Bochum. From 2001-2003 he worked as Associate Curator at the PS1 Contemporary Art Center in New York. Marzona is a co-founder of the Navado Press in Trieste, which publishes artist books and titles on contemporary art and architecture.













