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Neutra, Complete Works

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All of Richard Neutra's works gathered together in one volume


Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style.

Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture.

For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers.

About the editor:
Peter Gössel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series.

About the author:
Barbara Lamprecht writes on and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works.
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Neutra, Complete Works

Neutra, Complete Works

Gössel, Peter (Editor)
Lamprecht, Barbara
Hardcover, 40 x 31 cm (15.7 x 12.2 in.), 464 pages
$ 200.00

ISBN: 978-3-8228-6622-1
Multilingual Edition: English, French, German
Availability: Not in Stock
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"At Urban Center Books in Manhattan, the reigning heavyweight is 'Richard Neutra: Complete works,' about the Southern California modernist. It's a 12-pounder, with covers veneered in blond wood, and 464 pages about the size of doormats. And the architect didn't even dictate this monumental tribute to himself (he died in 1970)."
The New York Times, United States
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