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mihai r., Dänemark, 03. Dezember 2013
Hello. I ordered "Type: A visual History of typefaces and graphic styles"–2013 edition– from amazon.co.uk hoping that the copy will come together the TASCHEN keycard to online image library (as presented on taschen.com). Taschen keycard comes only with copies purchased from taschen online shop?

Mihai R.
1 Kommentare zu diesem Eintrag
1.  Jascha, TASCHEN Editor, Cologne, Deutschland, 04. Dezember 2013
Dear Mihai,
no worries – the keycard comes with all books, no matter where you buy your copy. You will find the card behind the flap of the second volume's backcover.

Best wishes,
Ivana J., Mazedonien, 03. Dezember 2013
As a passionate reader and a long time adorer of the surreal, I couldn’t help but wonder if there were any plans on publishing a book of the works of Remedios Varo
0 Kommentare zu diesem Eintrag
Fede, Argentinien, 02. Dezember 2013
Hi, what is up with Byrnes-Euclid cased edition? I've bought this one through Amazon last august and it has't been shiped yet?

Could you please tell me, will I ever receive my copy? I'm obsessing over this book!

0 Kommentare zu diesem Eintrag
Luca, Italien, 01. Dezember 2013
Hi there, looking at "Inez van Lamsweerde/Vinoodh Matadin Pretty Much Everything" I found out a massive difference between the limited and trade edition, there are almost 300 pages less in the trade edition. Have you lowered the number of pages randomly or is there any kind of selection? Could you say something about the difference?
1 Kommentare zu diesem Eintrag
1.  Jutta, TASCHEN editor, Cologne, Deutschland, 03. Dezember 2013
Hi Luca,
The trade edition is indeed 280 pages shorter than the original edition. We selected only one of the accompanying essays to be included in this new edition. But, of course, you will still find all the wonderful photographs by Inez and Vinoodh!
Best, Jutta
SV, USA, 30. November 2013
I think releasing Almodovar book in the "Archives" series was premature. He is still alive and making movies and that outdates the book really fast! I think, you would be better off concentrating on great dead directors such as (in no particular order): Antonioni, Kurosawa, Bunuel, Hitchcock, Tarkovsky, Leone, Fosse, Visconti, Welles...
3 Kommentare zu diesem Eintrag
1.  Paul Duncan, Editor, Großbritannien, 30. November 2013
Dear SV, We ran a poll asking TASCHEN readers who was their favorite film director, and Pedro Almodóvar came top. Pedro was intimately involved in making the book - the book contains many texts written by him for the book. And we're very happy that Pedro will be making many more films in the future! best - paul
2.  SV, USA, 01. Dezember 2013
Don't get me wrong, I am happy that Pedro is alive and well, but it's so much easier to review a complete body of work. Besides, you cannot be objective when the subject of your book can control how information is presented in it.
3.  Paul Duncan, Editor, Großbritannien, 01. Dezember 2013
Dear SV, I disagree, and for two reasons. First, director's (and indeed artist's is any field of expression) have a great deal of information and opinion on how and why they made they work, and this is key to any discussion of their work. Secondly, there is no such thing as an objective assessment - biographers and editors have subjective opinions that will be apparent in the biographies that they make. best - paul
Amilcar Moretti, Argentinien, 29. November 2013
Los libros editados por Taschen son inaugurales y a la vez continuación de la mejor y más ilustrada cultura de la cultural en serie, ya no solo de la era industrial sino también de la posindustrial y de supratecnologías digitales. El lujo se convierte así en una obra de arte, la obra de arte en una producción de consumo, sofisticada y tal vez de elevado precios para la media del consumidor-lector, pero de indudable calidad. En Taschen se convierte en libro el arte y el arte se integra al libro. Libro y arte son una y misma cosa, idénticos asuntos.
Amilcar Moretti
Diario El Día
The books published by Taschen is opening yet then the best and most enlightened culture cultural series, and not only of the industrial era but also the post-industrial, digital supratecnologías. The luxury thus becomes a work of art, work of art in a production of consumption, sophisticated and perhaps high price for the average consumer-reader, but of unquestionable quality. In Taschen book becomes art and art is integrated into the book. Book and art are one and the same, identical issues.
0 Kommentare zu diesem Eintrag
Andrew Taylor, Großbritannien, 27. November 2013
Are you able to shed any more light on what you have upcoming re Stanley?

"how would you like ... Stanley Kubrick for 2014?...
Best wishes,
5 Kommentare zu diesem Eintrag
1.  Florian, TASCHEN Editor, Cologne, Deutschland, 27. November 2013
Dear Andrew,

many thanks for your query – we're working on something spectacular regarding "2001: A Space Odyssey"!

Best wishes,
2.  Phil, Deutschland, 03. Dezember 2013
A re-print of Piers Bizony´s "2001 - Filming the Future"??! Maybe in a Monolith case...
3.  Florian, TASCHEN Editor, Cologne, Deutschland, 07. Dezember 2013
Dear Phil,
Piers has been compiling something much better than just a reprint… Monolith case? Mmh… stay tuned!
4.  Andrew Taylor, Großbritannien, 13. Dezember 2013
Are you able to tell us the approximate price range for this new 2001 title?
5.  Mark Foster, Großbritannien, 21. Januar 2014
I sincerely hope it will be along in the style of the Napoleon archival book!!!
Lucy Von Mambo, Mexiko, 26. November 2013
Sus libros de sexo son todo un ORGASMO literario!!!! Beso
0 Kommentare zu diesem Eintrag
Celi, Argentinien, 26. November 2013
Taschen ha sido y es mi material para estudio y para mis clases como profesora de Arte.
0 Kommentare zu diesem Eintrag
Charl Meyer, Südafrika, 24. November 2013
It is incredible how a still picture can move a soul.
1 Kommentare zu diesem Eintrag
1.  Florian, TASCHEN Editor, Cologne, Deutschland, 25. November 2013
Dear Charl,
many thanks for your comment, very true!
For further reading: Our "Book of Symbols", an educated Jungian trip through our subconscious.
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