Christo & Jeanne-Claude, The Gates - Collector's Edition - Rezensionen
| Christo remains one of our collectors´favorite artists. This remarkable book on his newest work shows why. A must for any Christo fan.— P´Mio Gallery picassomio.com, USA | |
| "Connus pour avoir empaqueté le plus vieux pont de Paris, les deux sculpteurs Christo et Jeanne-Claude sortent aujourd`hui un livre contenant dessins, collages et photos d`avant et pendant la réalisation de leur dix-neuvième projet : The Gates. Ephémère, ce parcours de 37 kilomètres ponctué de portiques tendus de toiles safran n`est resté en place qu`une quinzaine de jours à Central Park, New York. Une œuvre exceptionnelle pour un lieu unique à découvrir au fil de pages qui, elles, resteront."— Edgar, Cannes, Frankreich | |
|
1995. Wrapped Reichstag, Berlin. I was one of your official workers at your organisation team. Ten years after. 2005. The Gates, NYC. I stepped into the Central Parc. Another project. Another dream comes true. Both places are still impressions I will never forget. It will give me power and force for my everyday´s life! Thank You, J-C, Thank You, X-to! All other things I already mentioned to you, live and fresh, weeks ago, nearby the boathouse....! We are all looking forward to your river project at Colorado!— Lothar M. Schmidt, lomography.de, Deutschland |
|
|
...un geste de partage, de paix, de beauté et d'amour...vive l'art !!
merci a Christo et Jeanne-Claude!— Aimé-Guy Beaulieu, Kanada |
|
|
Thank you, thank you for embracing Central Park in glorious saffron to blow freely, change colors, inspire,
cause smiling warm feelings in everybody. I thought I had seen it all...— Frances Fogarty, USA |
|
| "Amazing monumental works of artists Christo and Jeanne-Claude are shown in The Gates - Collector's Edition. Their project started from 1979 finally completed in 2005, which was 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park's walkways. Only 5.000 copies of this omplete limited edition with their signature and cereal numbers are available worlldwide."— Oi-Bijutsukan.com, Tokyo, Japan | |
|
"Février 2005. Christo et Jeanne-Claude s`approprient Central Park à New York avec une installation aussi monumentale qu`éphémère. 7 500 Portes en vinyle furent ainsi réparties dans les allées du parc. De chacune pendaient des toiles safran. Une rivière d`or qui s`écoule…Ces Portes restèrent en place durant soixante jours. Elles furent ensuite démontées et recyclées. Aujourd`hui sort un livre « collector » qui retrace cette aventure artistique née en…1979. Limité à 5 000 copies à travers le monde, l`ouvrage est signé Christo et Jeanne-Claude. Numéroté, il est accompagné d`un morceau de l`installation (toile). Mais n`est-ce pas un minimum en regard du prix de vente? Il s`élève tout de même à 350 euros…"
— MOCHI, Paris, Frankreich |
|
|
"The Gates nannte das Künstlerpaar Christo und Jeanne-Claude ihr Freiluftspektakel. Ein Jahr später nun gibt es dazu einen armdicken Bildband, der das Projekt von der Konzeption bis zur Umsetzung zeigt. Enthüllen lohnt sich!"
— doin' fine, München, Deutschland |
|
| "Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and photographs by exclusive photographer Wolfgang Volz, this limited-edition volume is the ultimate book object for fans and collectors who want a lasting and unique souvenir of this remarkable work of art."— Worldstyle MUSE, Monaco | |
| "Even those of us who didn`t make the trek to New York to see Christo`s saffron-colored Gates couldn`t help but get an eyeful of the beautiful, if not bewildering objects d`art. Commemorating the project, which consisted of over 7500 16-foot-high vinyl gates with orange-colored fabric panels on twenty-three miles of Central Park walkways, is TASCHEN`s voluminous limited-edition tome. Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and exclusive photographs by Wolfgang Volz, each copy is signed and comes with a piece of fabric used for the gates. The Gates remained in place for just sixteen days, but their memory stays on."— Clear Magazine, New York, USA | |
| Seite 1 2 | |


